SENGGAKAN DANGDUT KOPLO MUSIC SHOW: MUSIC ANTHROPOLINGUISTIC STUDY

Abstract

This study was underlain by the mass communication happened between the stage and its spectators. This communication could be seen in the form of senggakan in Dangdut Koplo music show. Senggakan concept in Dangdut Koplo music show was actually new version of senggakan in karawitan. The purpose of the study was to describe senggakan in its social and cultural context, using modern anthropolinguistics approach. The method of the study was descriptive qualitative. Data collection in this study was (1) direct observation is applied in Dangdut Koplo music show in Jombang, (2) Deciding object of the study which was senggakan in Dangdut Koplo music show, (3) interviewing Dangdut Koplo personnels on May 27, 2019. In Ngoro Jombang, (4)Transcribing interview result, (5) data identification, (6) Codification and data tabulation to simplify the analysis. The result of the study explained that (1) performance aspect in DangdutKoplo music show was captured when the singer shouted senggakan to fill the empty part of the song, such as (1) hak e hak e; (2) oaoe; (3) hokya(4) cendol-dawet. Senggakan had been well understood by the singers, musicians, even the spectators, (2) senggakan could stimulate the spectators’ spirit to dance during the show. It presented indexicality aspect, (3) participation aspect  showed by the interaction between the singer who shouted senggakan and the spectators’ responses, the spectators responded the senggakan actively during Dangdut Koplo music show.